Prompt Magazine

Text Prompts

Writing in serial form was once the way that almost all literature was consumed.  The advantage is that the author has specific control over how the reader digests the text, at least by means of availability.  Attempt to write something in a serialized form, written with the intent for it to be read over a space of time.  How does this change the writing process, or does it?  By releasing it to an audience bit by bit, do you have control over aspects of the writing that would otherwise be less controllable?  Is there a difference at all?

Prompt:  Write a story. Cut the results in half. Then double them.

Prompt:  Somewhere in your hometown, there’s an abandoned building. That’s your main character.

Prompt:  Think of a type of story you’d sooner die than write. Do it the right way. But don’t start doing it “right” until page two. Try to make the shift natural.

Prompt:  Go to your local grocery store. Watch the cheese section closely. There’s your story.

Prompt:  If you've got an idea where you've either got too many people in space too small, or not enough people in a very big space, reverse the idea. Write the same story, but put lots of people in a big space, or very few people in a very small space.

Prompt:  Make someone wonderful do something loathsome. Don't explain why, but make sure the reader clearly knows why.

Prompt:  Destroy something everyone else is defending (newspapers, for instance)

Prompt:  How far can your story safely go before you have to put a character in it?

Prompt: Construct a story backwards

Prompt: Tell a story that includes first, second, and third-person, omniscient and omniscient limited

Prompt: Give your character a defining tic or quirk and let that become the motivator throughout the story

Prompt: Write yourself into the story as a character

The prompt literary magazine is a biannual online magazine that publishes creative work that reflects experimental and traditional work based on writing prompts and exercises.

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